Hello dear friend! How wonderful that you’ve stumbled upon this blog of mine! I’d like to welcome you to the log of my activities and thoughts while I try to combine my interests in French Studies, Medieval Studies, Gender Studies, and Music into a thesis project. No small task. Thankfully, I have admirable supporters at my college and among my family. You can help, too! I welcome feedback on my posts or questions about any of the fields of study I mentioned or any other general thoughts of your own! This project requires the cooperation of people from various backgrounds and levels of expertise, including you!
Another academic year gone, this one a particular whirlwind. I will spare this blog the details of my semester abroad in Canada, as well as my semester of exchange at a small liberal arts college on the West Coast.
Instead, with my final papers still hot off the presses, the time seems ripe to dive into research for the summer. I’ve just fired off an email to my thesis adviser, letting her know that my intentions this summer are to work a day job (which I’m sure will be lovely and rewarding) and to spend my weekday evenings mowing through books.
My hope is that this blog will keep me accountable, and at the very least leave me with a record of what I do get done so that I will have something (digitally) tangible to share with said adviser.
At the top of my pile is Leslie Feinberg’s Transgender Warriors: Making History from Joan of Arc to Dennis Rodman–something to help me ease back into my chosen subject matter. I have an absolutely lovely edition on hand, a gift to myself from Powell’s City of Books in Portland, Oregon. I adore Feinberg’s no-nonsense style, and look forward to this work being a good and healthy read. Christine de Pisan will follow closely behind.
I would love to live in a world where my thesis was the only thing related to academics that will occupy my mind this summer. But there’s graduate school to be considered. And if not graduate school, then fellowships or teaching assistantships. I am fortunate to have the fire lit under me to work towards accomplishing my academic and personal goals this summer. I am fortunate and I will not forget it.
Happy summer break to all who will be taking one, and chin up to all who can’t.
Hello, the Internet! Last semester was a wild ride for me; new country, first crack at university study (vs that of a small liberal arts college), and all of it conducted in my second language. Any reading or research I did for the thesis was sparing, though I did finish out with several potential research contacts and a term paper on Béroul’s edition of Tristan et Yseut that even my perfectionist self can be proud of.
I spent a good deal of time thinking about how all of my thesis ideas will need to condense and crystallize over the next few months; I’d like to get writing as soon as possible after I set foot on campus for my senior year next fall. As a result of all of this pondering, I plan to spend this next semester and summer reading the bulk of Christine de Pisan’s oeuvre (I’ll explain why in a succeeding post.) I hope I’ll have the time to both read and post, but I’m commuting this semester and working part-time so no promises.
Last note: a family member struck up a dinner conversation with me about Susan Stryker. Wild. I need to get my hands on her re-edition of Transgender History. Maybe this family member and I can read it together and share thoughts, like a mini book club!
Happy New Year!
Mags is done! All it took was a long ride on public transit. Now, time to foist its 143 glorious pages on everyone.
Hello dear friends!
I realize it’s been over a month since I last updated this blog. July simply flew by, and not a lot of reading got done the whole month long. Needless to say, no proposal was sent to the Institut de Genre, otherwise there would have been a giddy-to-the-point-of-intelligibility post about it. Surely. Gender Trouble and Le Roman de la Rose are progressing appropriately, to use the language of elementary school standardized tests. But, to be honest, the majority of last month was spent poring over Maggie Nelson’s The Argonauts. What a book. What a masterwork. What a revelatory reading experience. And I’m not even done with the thing yet.
As a result, I won’t go into detail about my takeaways from the book, which I lovingly call “Mags” after the author, until I’m good and done with it. This may take a while yet. In the meantime, I will say that I recommend the book to anyone interested in gender theory, queerness, questions of motherhood, creatively-constructed prose, or possibly having your thoughts expressed more eloquently in someone else’s words than they ever could be in your own. Thanks to Mags, I feel like I can still count July as a productive reading mother, albeit in terms of quality rather than quantity.
For the fact that I haven’t managed to read even Mags’ 143 pages in an entire month, I blame the news.
It’s time for another housekeeping post, in which I catalog what I’ve recently read and am currently reading and occasionally diverge into events of my personal life. Let’s get to it!
I recently finished Gender Outlaws: The Next Generation, the earth-shattering compilation of poetry, prose, and in-between writings of those somewhere along the gender spectrum or outside the gender binary speaking about their experiences pertaining to that positioning. Or, at least, it would be earth-shattering if more people knew about it. Despite its being published seven years ago now, and despite its being edited by such a well-known author and activist as Kate Bornstein (with the indispensable help of trans writer and theater artist S. Bear Bergman), and despite its being relevant to one of the foremost debates in this country at this time over the politics of gender identity, the book was entirely unknown to me before it arrived on my doorstep. Truth be told, I bought it thinking I was purchasing an updated version of Gender Outlaw, and was more than pleasantly surprised when I saw the diversity of form, perspective, and background of the contributing authors. And it was extra special to see the work of someone I knew personally through an an early music a cappella group we were both a part of in my first semester of college. I was thoroughly impressed with the book, and would love to work in some of this complex perspectives on trans+/gender non-conforming/other-gender identities into my eventual thesis. Thanks to Seal Press for bringing this book to life and to my attention–I have a feeling I will be rereading these stories for personal benefit for years to come.
Today, I also finished Thea Hillman’s collection of short essays on her intersex identity relates to her politics in romance, family, and society: Intersex (for lack of a better word.) The essays (which evolved into poetry at the very end) ranged from heart-wrenching to heartwarming, and I enjoyed the act of reading all of them, including the ones that left me aching for the sorrow or enraged for the divisiveness of some members of the trans+ community. I also had the surprisingly uncomfortable experience of reading about a location in one of the stories and realizing it was one I had passed countless times, having grown up in nearly the same neighborhood as the author. It was nice to learn that Hillman received a Master’s degree from and served on the Board of the college I will (hopfeully) be attending in the spring.
Separately, I am knee-deep in Julia Serano’s Whipping Girl, and let’s just say I’m excited to write another masterpost once I’ve finished hearing what she has to say. I think it would be interesting to write on my experience of Whipping Girl as an audiobook read by the author, having the words literally coming from her own mouth. More to come on this.
I also attended the San Francisco Trans March last Saturday. This was my second time at the event, and I was once again impressed by the out-and-proud displays of trans+ folk and allies from the Bay Area and beyond. But the event coincided with many of my conflicting thoughts surrounding the trans ‘community’ and the ‘trans-‘ label itself coming to a head. I am not at a point where expressing these thoughts in writing will be helpful to me, but I hope to eventually reach that point.
In objectively happier news, I’ll be collecting four books from the university library next week. Among these are the predictable Gender Trouble by Judith Butler, Female Masculinities by Jack Halberstam, and the medieval text Ami et Amile. The unexpected party guest is Histoire des transsexuels en France by Maxime Foerster. I know nothing about this book beyond the title and that it was the only result returned in my search for the terms ‘transgender,’ ‘history,’ and ‘france’ at once. I can only access Le Roman de la Rose inside the library itself, and consequently it has its own events on my Google Calendar.
That’s all for now! Fingers crossed that I can produce an acceptable paper proposal for the Institut de Genre (the organization that put out the call for papers) before July 10.
Disclaimer: this summer is evolving into an “I’ll read anything I can get my hands on and there will be little pausing for analysis” kind of summer. My hope is that that will change with the new month.
For now, have a bare-bones analysis/takeaway dump of what is considered a seminal text in the evolving field of ‘transgender studies,’ Kate Bornstein’s Gender Outlaw:
-Bornstein uses her own experience to frame her broader discussion–when all is said and done, what does one have but one’s own life experience to draw from?
-she acknowledges that she is not the end-all-be-all authority on issues of ‘trangendered’ people, but that she has a privileged position as one of the first and loudest voices to speak out and use language accessible to many
-her main objective with this book seems to be to, through an account of a gender outlaw (someone who defies gender norms and questions the concepts of gender on a regular basis), cause the book’s readership to begin or continue to question gender
– her use of form is innovative and refreshing–the body text is flanked by quotations from multiple sides of the trans debate on one side and her own, more personal reflections on the other
-she offers her own definitions (supplemented by the aforementioned sampling from other sources) for a host of sex- and gender-related terms, all of which would have packed more of a punch for me if they had been prefaced by a mention of how the gender binary is a chiefly white construction imposed on other cultures through colonialism and as such should not be spoken of as the absolute system transgressed by gender outlaws–but that could have been too much to hope for in 1994
-her rebuttal of Garfinkle’s Studies in Ethnomethodology is astute and makes use of myriad forms of communication (including poetry and visuals) to speak to myriad kinds of thinkers
-many of her reflections on the divisiveness of the trans “community” and the exclusion of transwomen from the feminist movement seem to me to still be relevant to trans+ issues today–they are two issues I would like to follow up on, with a reading of Julia Serano’s Whipping Girl and other texts
-she pushes for an erasure of male privilege and a refusal by trans people to participate in the system that has acted as their oppressor since its establishment–this could point me towards an argument about the fragility of constructed masculinity in Silence (also I really need to get my hands on another medieval text before too long)
-I’m exceedingly intrigued by Bornstein’s conceptualization of the ‘third’ as the catalyst for change–the idea that once a third option appears where there was once believed to be a choice between two options, a universe of possibility is born. I want to see which (if any) sources corroborate with her idea
-I’ve also noted several instances where the ideas of the French Symbolists (and probably other groups people from other historical contexts, it’s just that I’ve most recently engaged with French Symbolism) line up with the nature of the binary gender system in its oppression of cispeople and trans+ individuals alike
-her opinions on ‘passing’ need to be taken with a grain of salt because of her position as a trans activist, but her views on passing as a form of silence have a fairly direct connection to Silence‘s rationale
-her clarifications and revisions in the addendum to the first edition were very helpful–I appreciated her admitting that, at the end of the day, she is like any other woman getting along in her years and not keeping up with the newest, most accurate terminology and modes of speaking because she is simply not immersed in it in the way that other, younger gender outlaws are
Now, back, to Gender Outlaws: The Next Generation for me! Tally-ho!
This was a revelatory read in many ways. It’s sadly rare that a person from my particular background is made to come up against their privilege as many times in one sitting as I did reading this book. I appreciated the book for making me uncomfortable in a way that indicated to me that I was learning, and for inspiring in me both fierce agreement and fierce opposition. The bibliography is of particular interest to me, because the book was sourced from works I would not have sought out on my own but now realize are a vastly underrepresented side of the ‘trans’ discourse, if it can even be called that.
The book is framed as a response to Nicholas M. Teich’s Transgender 101: A Simple Guide to a Complex Issue, and exposes transgender identity and the transgender ‘community’ as as an invention of the (mostly) white colonizer that prohibits people of color from expressing their gender in ways specific to their cultures. Or, at least, that’s what I made of the book. It’s written in a way that recalls an epic tumblr post, and the form itself got me thinking of how Internet platforms may well be the future of public record-keeping. Or maybe they already are and people like me who check their tumblr once every few weeks are sorely missing out.
I have more complete notes on this book, but some take-aways were: discussions of public vs private life and to what extent that is a white colonist invention, the concept of gender not being so much about what it is but about what it does, and the idea of ‘male privilege’ and who actually experiences it and benefits from it in today’s society (I’m thinking about comparing this with Kate Bornstein’s thoughts on gender-based privilege and how she experienced it in her own life, but someone out there’s probably thought of this already.) binaohan also put forward some points that would interact very well with an analysis of Silence. Paper topics are slowly forming, and it’s a month until proposals are due for the call mentioned in the previous post.
Wish me luck!
Last Sunday I attended the second-annual citywide book fair in a city neighboring mine, and it was a fruitful day for research materials. I wasn’t particularly optimistic about finding trans-related material at the fair, since a) trans scholarship by transpeople remains hard to come by almost anywhere and b) the brand of queerness typical to this particular liberal pocket of a city can be fairly trans-exclusionary. I was expecting, at best, a well-meaning older lesbian woman trying to argue the trans subtext of several obviously lesbian erotic poetry books. And, in a way, that was what I got, with several key differences: the enthusiastic representative of Manic D Press seemed genuinely interested in my thesis topic when I mentioned it offhandedly, and only tried to sell me two extraneous books that looked interesting but would have been too general to have had any real bearing on my research. She was so kind and so willing to have a real conversation with me, though, that I ended up buying two books from Manic D Press. I began the first of these, Intersex (for lack of a better word) by Thea Hillman, last night. It is proving to be a collection of some of the shortest, sweetest, most powerful stories I’ve read in a good while. I’m more impressed than I can express to be reading a personal account of an intersex person and absorbing her opinions on intersex, queerness, and other aspects of identity. While this is lighter, less critical reading than the thesis necessarily needs, some of the key ideas that Hillman puts forward could certainly make it in. Disclaimer: I do not mean to imply that trans and intersex issues are remotely the same, but I’ve been thinking more and more that a contemporary perspective from intersex individuals could help me shape my opinions of certain instances in French medieval literature that could indicate the presence of intersex identity. More once I’ve finished the last story in Hillman’s book.
(Also, that Bornstein analysis is coming, but as this post suggests, I’ve been preoccupied with welcoming more and material into my life. Good things keep coming and it’s becoming a welcome challenge for me to keep up!)
In other news, I opened a library card at the local high-profile university–millions of books to choose from for a whole year! Even the twenty minutes spent in the library to open the card left me awestruck. There’s just so much to be known in the world!! I am so looking forward to spending my weekends there this summer.
Coming: a rough analysis of b. binaohan’s decolonizing trans/gender 101, which I also incidentally finished this past week.
Yesterday, I completed my first reading of Sarah Roche-Mahdi’s translation of Silence, a thirteenth-century French-language romance by one Heldris of Cornwall. The romance charts the story of Silentius/ia, a person of fluctuating gender presentation and identity. S/he is born to royal parents who decide to present their child as a boy to the kingdom. The reigning monarch has forbade women from inheriting property in his land, and so it behooves the child to present as a man. The narrator is aware of a possible contradiction between identity and presentation, referring to Silentius/ia (often simply referred to as Silence) as “the boy who was a girl” and variations thereof. The narrator switches between he/him and she/her pronouns for Silence whenever (presumably) he thinks it appropriate. This manifests when the child, having entered puberty, becomes the subject of a spirited debate between Nature and Nurture, both allegorical figures in the story. Nature would like for Silence to act “according to her nature” and engage in activities typical of young medieval women (spinning thread and staying out of the sun.) But Nurture, a figure representing the process that we today might call socialization, pushes Silence to continue living as a man–this s/he does to great success. Silence is skilled in minstrelsy, jousting, and warfare–all typically mens’ activities. S/he inspires a queen’s lust, traps the wizard Merlin, and reverses the law against women’s property rights. Oh, and s/he becomes Queen of England. While Silence is an altogether fanciful tale, I believe the author raises some serious questions about gender roles and inequalities as well as the smoke and mirrors of gender presentation. I’m not at a point in my analysis where I think I understand the author’s stance on the questions (presumed) he raises, not to mention my own opinion. More later when I reach that point.
Also, I began the sequel-of-sorts to Kate Bornstein’s Gender Outlaw, titled Gender Outlaws: The Next Generation. This work is a collection of perspectives from both established and emerging gender outlaws, edited by Bornstein and S. Bear Bergman. I’ve read nearly four perspectives thus far, and find each to be rich and illuminating. I’m excited to read the rest, as well as to track down my next two medieval targets: le Roman d’Eneas and Grisandole.
I’ve finished Kate Bornstein’s Gender Outlaw, and overall I’m glad I took the time to learn from her perspective. Throughout her book, Kate mentions several sources from trans activists, scholars, etc. that I’m sure will become useful later on. I benefitted from reading her story in several ways: I had the experience of listening to a unique trans voice full of humor and a lust for life, I was able to read her breakout play Hidden: A Gender, and I got a sense of where the trans community was in the 1980s and ’90s–at least in Kate’s circles. I’ll be going over my notes in detail at a later time.
I was also forwarded a call for papers covering issues of gender and sexuality in French literature from the Middle Ages to today–how perfect is that? Proposals are due July 10. We shall see whether I can organize my thoughts and choose a topic before that time!