Odds and Ends

It’s time for another housekeeping post, in which I catalog what I’ve recently read and am currently reading and occasionally diverge into events of my personal life. Let’s get to it!

I recently finished Gender Outlaws: The Next Generation, the earth-shattering compilation of poetry, prose, and in-between writings of those somewhere along the gender spectrum or outside the gender binary speaking about their experiences pertaining to that positioning. Or, at least, it would be earth-shattering if more people knew about it. Despite its being published seven years ago now, and despite its being edited by such a well-known author and activist as Kate Bornstein (with the indispensable help of trans writer and theater artist S. Bear Bergman), and despite its being relevant to one of the foremost debates in this country at this time over the politics of gender identity, the book was entirely unknown to me before it arrived on my doorstep. Truth be told, I bought it thinking I was purchasing an updated version of Gender Outlaw, and was more than pleasantly surprised when I saw the diversity of form, perspective, and background of the contributing authors. And it was extra special to see the work of someone I knew personally through an an early music a cappella group we were both a part of in my first semester of college. I was thoroughly impressed with the book, and would love to work in some of this complex perspectives on trans+/gender non-conforming/other-gender identities into my eventual thesis. Thanks to Seal Press for bringing this book to life and to my attention–I have a feeling I will be rereading these stories for personal benefit for years to come.

Today, I also finished Thea Hillman’s collection of short essays on her intersex identity relates to her politics in romance, family, and society: Intersex (for lack of a better word.) The essays (which evolved into poetry at the very end) ranged from heart-wrenching to heartwarming, and I enjoyed the act of reading all of them, including the ones that left me aching for the sorrow or enraged for the divisiveness of some members of the trans+ community. I also had the surprisingly uncomfortable experience of reading about a location in one of the stories and realizing it was one I had passed countless times, having grown up in nearly the same neighborhood as the author. It was nice to learn that Hillman received a Master’s degree from and served on the Board of the college I will (hopfeully) be attending in the spring.

Separately, I am knee-deep in Julia Serano’s Whipping Girl, and let’s just say I’m excited to write another masterpost once I’ve finished hearing what she has to say. I think it would be interesting to write on my experience of Whipping Girl as an audiobook read by the author, having the words literally coming from her own mouth. More to come on this.

I also attended the San Francisco Trans March last Saturday. This was my second time at the event, and I was once again impressed by the out-and-proud displays of trans+ folk and allies from the Bay Area and beyond. But the event coincided with many of my conflicting thoughts surrounding the trans ‘community’ and the ‘trans-‘ label itself coming to a head. I am not at a point where expressing these thoughts in writing will be helpful to me, but I hope to eventually reach that point.

In objectively happier news, I’ll be collecting four books from the university library next week. Among these are the predictable Gender Trouble by Judith Butler, Female Masculinities by Jack Halberstam, and the medieval text Ami et Amile. The unexpected party guest is Histoire des transsexuels en France by Maxime Foerster. I know nothing about this book beyond the title and that it was the only result returned in my search for the terms ‘transgender,’ ‘history,’ and ‘france’ at once. I can only access Le Roman de la Rose inside the library itself, and consequently it has its own events on my Google Calendar.

That’s all for now! Fingers crossed that I can produce an acceptable paper proposal for the Institut de Genre (the organization that put out the call for papers) before July 10.

Kate Bornstein, Gender Outlaw

Disclaimer: this summer is evolving into an “I’ll read anything I can get my hands on and there will be little pausing for analysis” kind of summer. My hope is that that will change with the new month.

For now, have a bare-bones analysis/takeaway dump of what is considered a seminal text in the evolving field of ‘transgender studies,’ Kate Bornstein’s Gender Outlaw:

-Bornstein uses her own experience to frame her broader discussion–when all is said and done, what does one have but one’s own life experience to draw from?

-she acknowledges that she is not the end-all-be-all authority on issues of ‘trangendered’ people, but that she has a privileged position as one of the first and loudest voices to speak out and use language accessible to many

-her main objective with this book seems to be to, through an account of a gender outlaw (someone who defies gender norms and questions the concepts of gender on a regular basis), cause the book’s readership to begin or continue to question gender

– her use of form is innovative and refreshing–the body text is flanked by quotations from multiple sides of the trans debate on one side and her own, more personal reflections on the other

-she offers her own definitions (supplemented by the aforementioned sampling from other sources) for a host of sex- and gender-related terms, all of which would have packed more of a punch for me if they had been prefaced by a mention of how the gender binary is a chiefly white construction imposed on other cultures through colonialism and as such should not be spoken of as the absolute system transgressed by gender outlaws–but that could have been too much to hope for in 1994

-her rebuttal of Garfinkle’s Studies in Ethnomethodology is astute and makes use of myriad forms of communication (including poetry and visuals) to speak to myriad kinds of thinkers

-many of her reflections on the divisiveness of the trans “community” and the exclusion of transwomen from the feminist movement seem to me to still be relevant to trans+ issues today–they are two issues I would like to follow up on, with a reading of Julia Serano’s Whipping Girl and other texts

-she pushes for an erasure of male privilege and a refusal by trans people to participate in the system that has acted as their oppressor since its establishment–this could point me towards an argument about the fragility of constructed masculinity in Silence (also I really need to get my hands on another medieval text before too long)

-I’m exceedingly intrigued by Bornstein’s conceptualization of the ‘third’ as the catalyst for change–the idea that once a third option appears where there was once believed to be a choice between two options, a universe of possibility is born. I want to see which (if any) sources corroborate with her idea

-I’ve also noted several instances where the ideas of the French Symbolists (and probably other groups people from other historical contexts, it’s just that I’ve most recently engaged with French Symbolism) line up with the nature of the binary gender system in its oppression of cispeople and trans+ individuals alike

-her opinions on ‘passing’ need to be taken with a grain of salt because of her position as a trans activist, but her views on passing as a form of silence have a fairly direct connection to Silence‘s rationale

-her clarifications and revisions in the addendum to the first edition were very helpful–I appreciated her admitting that, at the end of the day, she is like any other woman getting along in her years and not keeping up with the newest, most accurate terminology and modes of speaking because she is simply not immersed in it in the way that other, younger gender outlaws are

Now, back, to Gender Outlaws: The Next Generation for me! Tally-ho!